Friday, February 28, 2014

The Lego Movie Adoption Movie Guide


Lord Business intends to end the world. Or at least, he wants to have complete control over it. And he hates change. Citizens of the Lego world are opposing him. One character finds an item that appears likely to bring victory and save the world, but he is so unassuming that other, more heroic characters find it difficult to believe that their rescue could come from him. Elsewhere, a father and son work on defining their relationship, sort of.



The Adoption Connection

Two characters particularly hate change. They would willingly give up good things in order to avoid change. This theme might be familiar to kids who’ve been traumatized by significant changes in their lives.


Positive Elements

Kids might resonate with the message that the protagonist initially believes, “If you follow all the rules, you’ll always be happy.” Also, Lego World’s prevailing culture, initially, is that “everything is awesome.” Sadness is frowned upon (oh, pun not intended, but it’s so there…) I really like that The Lego Movie challenges these conventions, though. You don’t always have to be happy to be right, and there aren’t magic things you can do to make yourself happy. It’s important for kids – especially kids who’ve experienced trauma – to know that it’s OK to feel – and express – unhappiness. At the same time, the film encourages viewers to embrace change.  In a nutshell, the film initially portrays the villain’s message, “Avoid change, and pretend that life is OK all the time,” but subtly seems to shift to a more positive message, “Change is OK. Sadness is OK. Experience your emotions, change what needs to be changed, and move forward.”

One character wisely chastises another character for being too critical, noting that people won’t grow to be successful if they’re always told that they can’t be successful.

Challenges

One character watches as his parents are assaulted by the villain. One character’s face is erased. This could be scary to younger viewers.


Recommendations

Kids will like this one, and there’s a few affirming messages that you can work in to conversations about the film. Try this one for kids ages 4-11. It might be particularly helpful for kids with low self-esteem, since one of the characters proves himself to be very special indeed.


Questions for Discussion

How do you know whether you are special? Who gets to decide that?

Do you ever feel like people want you to pretend that everything is awesome? Who are people that you feel safe telling your sad feelings to?

Why was Master Builder (and The Man Upstairs) scared of change? Have you ever felt that way?


What’s the craziest idea you’ve ever had? What’s the best idea you’ve ever had?

Tuesday, February 25, 2014

The 2014 Adoption at the Movies Awards

In honor of the 2014 Oscars coming this weekend – here are the nominees and winners of the First Annual Adoption at the Movies Awards. The AATM Awards were initially published in the November/December 2013 issue of Foster Focus Magazine. Now, courtesy of Foster Focus, here they are for your enjoyment! I've also linked each movie title to the Adoption Movie Guide, so feel free to click over to as many of them as you like.  


Adoption has shown up widely in cinemas over the last twelve or so months. From explicitly adoption-related movies like The Odd Life of Timothy Green to films where adoption is just a fact of life, like Despicable Me 2, to films where struggles connected to adoptive parenthood fuel major plot points – Pacific Rim – it’s very possible to go to the movies as a family and leave with something important to talk about.

Some movies cover adoption overtly, some are more of a stretch to fit through my filter. Some are very positive and affirming. Others have the potential to do harm. But almost every movie can be used to some good. That’s why I write the adoption movie reviews – I know that movies can be an easily-accessible bridge into important conversations. I’ll be highlighting some of the very best movies of the past year or so (anything released since 2012 is fair game, and this article was written in September 2013 - so late '13 releases will have to wait until next year). I’ll also highlight a couple dishonorable mentions, and highlight a couple older movies that deserve special recognition. So, consider this a long list of movie recommendations. Fire up your Netflix queue, and get the popcorn popping. To honor the Oscars – Please enjoy the first ever “Adoption at the Movies” awards!


Best Smaller-Scale Releases

The Nominees

CAMP:  Eli is brought into foster care when his mother dies of a drug overdose. He is initially placed into a group home. Shortly afterwards, Eli is able to attend a summer camp intended to help foster kids form relationships with caring adults. Eli is assigned to Ken, a counselor who cares more about money than about kids. However, Ken eventually learns to care for Eli. He becomes trustworthy, and Eli becomes able to trust. Eli’s father is eventually arrested, and it becomes apparent that Eli will need an adoptive family. Because of the relationship they built at camp, Ken becomes a likely resource for Eli. Like Journey to Jamaa, Camp does a fine job of introducing a lesser-known way to help kids.

Closure: In this independent documentary, filmmaker Bryan Tucker chronicles the journey of her wife, Angela, as she seeks to reunify with her birth family. Angela was adopted from foster care through a closed adoption, but she has been able to discover the identity and location of her birthfather. Through him, she meets the rest of her family. Angela is initially met with varying degrees of acceptance but she chooses not to be disconsolate. Angela eventually comes to understand the story – her story – of being adopted. She regains some of the relationships that had been lost. And she is supported by her adoptive family throughout the whole journey. Closure validates the rights of adoptees to seek out and learn their whole stories, and does it in a palatable way.

First Comes Love: 40-year-old filmmaker Nina Davenport took time to reassess her life. She was single, had no prospects for marriage, and wanted to be a parent. Nina convinced one of her friends to be a sperm donor. This HBO documentary chronicles Nina’s journey, from deciding to pursue fertility treatments, to undergoing the rigorous preparations that will be familiar to many families who’ve dealt with infertility, to birthing and raising her child. First Comes Love is a very interesting look at one woman’s path to parenthood. Many prospective adoptive parents have also considered or pursued infertility treatments, and so much in this documentary may resonate with them. Also, Nina’s film captures the different reactions she receives from various friends and family members and her efforts to define the relationship between her son and his biological family. There are certainly some adoption connections, and one particularly sage piece of advice. A friend tells her, “Nina – your concerns about pursuing parenthood are logistical. But your desire to parent comes from a place of love.” It helped her sort out her fears. It might be helpful to others, too.

Journey to Jamaa: In this short film, Derick and Margaret are orphaned when their mother dies of an infectious disease. They travel through their country to reach the home of their uncle, Samuel, escaping from an opportunistic child-labor boss along the way. When Derick and Margaret reach Samuel’s home, he is initially unwilling to take them in, fearing that he will not be able to provide for them and for his own children, and wondering if they might be carriers of the infectious disease that killed their mother. Samuel eventually decides that, with the help of a local child sponsorship organization, he will be able to fulfill his responsibility to his nephew and niece. Journey to Jamaa shows an innovative way to help children in need; while international adoption is sometimes a child’s path into a happy life, in many cases it is possible for children to remain with members of their extended family. Journey to Jamaa gets points for highlighting an important and largely non-intrusive way to help children in need.
The Invisible Red Thread: Vivian was adopted from China in the mid 1990’s. Now, as a teenager, she finds that she has questions about the life that she might have had. Supported by her family, and accompanied by her father, Vivian returns to China and spends time with a girl who was adopted about the same time as Vivian, but raised in China. This documentary is fascinating as it shows both the differences in adoption between various cultures as well as Vivian’s reaction to the differences between the life she has in Canada, and the life she may have had in China. Like Closure, The Invisible Red Thread legitimizes an adoptee’s right to get answers to their questions and to have access to their story and history, and it does it in a realistic, likeable way.

And the Winner Is….   

Wednesday, February 19, 2014

100,000 Visitors, and Why This Site Exists

Adoption at the Movies recently was viewed for the 100,000th time. It feels like kind of a landmark. I’m not sure the best way to commemorate it. Maybe the best way to commemorate it is to remind myself of the mission of this site:

“Using film to help families enter into open conversations about adoption.”


Here’s what I’m thinking: Adoption is (nearly?) always home to many topics which are emotionally very 
heavy. Adoptive families might realize that these conversations need to happen – and that they’re very important – and yet the realization of the importance of these conversations can couple with the fact that the families haven’t known too many other people who’ve had the conversation. The level of importance is high, the amount of positive examples is low, and so sometimes, the important conversations don’t happen because of fear or feelings of inadequacy.
Reason # 2 why the site continues to exist: I really, really like watching movies. 

We communicate in stories. Stories are bridges into conversation. And movies are often very easily-accessible stories. Adoption at the Movies hopes that film can be that bridge for your family into important conversations.


Thanks for coming by and reading these movie reviews. I’ll plan on putting a new one up every Tuesday. Here’s looking forward to many more family movie nights!

Tuesday, February 18, 2014

Johnny (2010) Adoption Movie Guide

Johnny is a 2010 film about a ten-year-old foster child living in a group home. Johnny is perpetually cheerful in spite of the misfortunes life has thrown at him. Influenced by a Christian staff member at the group home, Johnny views adversities as opportunities, believing that “God sends trials and tribulations to shape us.” Johnny soon deals with another challenge, though, as he is diagnosed with cancer. His oncologist, Dr. Carter, is also going through a difficult period of life. His son died in a car accident two years ago. Although he is trying to recover, his wife is still very depressed. Their nine-year-old daughter seems ready to find hope.



How is This Relevant to Adoption or Foster Care?
Johnny is a foster kid, and he represents some of the good qualities that help foster kids survive. He is optimistic, hopeful, and cheerful. I’ve seen these qualities in many of the kids that I’ve worked with. He’s also somewhat parentified, and seems to try to have a nurturing influence on his oncologist – this, too, is accurate sometimes. Johnny is never actually adopted – Dr. Carter takes Johnny into his home with the blessing of Johnny’s social worker, but against the wishes of Mrs. Carter, who is still grieving the loss of her son.

Strong Points
Johnny’s optimism and hope reflect true, positive characteristics of many kids in foster care. This film does have the potential to challenge stereotypes. He does find a family, and they affirm that they are “proud” to include him in their family.

The film shows that professionals working on a case (group home staff, social worker, surgeon) all can care deeply about the people they’re serving. I’ve known several instances where social workers or teachers have stepped up to provide a home for a child on their caseload in need.

Johnny is able to verbalize his forgiveness for those who have wronged him.

Challenges

Johnny is an overtly religious film, which will probably be a strong draw from some viewers, but a deterrent for others.  Johnny’s spiritually-driven optimism is a somewhat mixed bag. He seems to almost only ever acknowledge good feelings, and even in his grief he is concerned about others. Mrs. Carter is portrayed as kind of a villain when her grief fails causes her to work against Johnny moving in with her. While there is definitely value in taking a hopeful outlook on life, it’s important to know that kids (and adults) need permission to grieve and process their difficult feelings. Johnny also seems to view his life as being mission-centered around bringing God to other people – there’s value in this, I believe, but again – I think it’d be easy for kids watching this to perceive an unintended message that they shouldn’t take care of their own feelings and needs.

Weak Points

Johnny’s rapid placement in the Carter home, without the foreknowledge of Mrs. Carter, is unrealistic at best, and would represent really poor social work. The film runs the risk of communicating inaccurately about the process of taking in a foster child. Want to know more about the process?

Mrs. Carter is quite cruel to Johnny on some occasions. People sometimes are that way to kids in foster care, but it’s still sad to see.


Recommendations

There are some touching scenes in Johnny. It’s also a fairly positive film, and so it’s strange to say that I’d really only recommend it for adults. Kids might get some unhelpful messages from Johnny’s selflessness. Also, there’s another aspect of the film that makes it probably a bit too sad for kids who would identify with Johnny. For the adults who watch it, though, it is a positive portrayal of the heart of a kid in care, and it is worth seeing.


Questions for Discussion after the movie
How can we help foster kids in our care have an optimistic/hopeful outlook on life while also allowing them to acknowledge the reality of their situation?  (Counseling and open, honest, non-defensive conversations with foster parents can help)


How do we help kids in foster care (and ourselves) find the balance between selfishness and selflessness? Caring for others is important, and so is self-care. 

Here's a trailer to help you decide:




By the way, I added a way for you to subscribe for free to Adoption at the Movies by email. A new review comes out every Tuesday - make sure to catch them all! Sign up today on the top-left corner of the page!   And if you're new here, check out all of our adoption movie reviews!

Tuesday, February 11, 2014

Juno Adoption Movie Guide

One Autumn evening, high schoolers Juno MacGuff and Paulie Bleaker have sex. They’ve been friends for a long time, and have had some romantic feelings towards each other. This is the only sexual experience for either of them, and it seems to happen on a whim. Very shortly thereafter, Juno learns that she is pregnant. This well-received 2006 film highlights Juno’s process in deciding how to handle her pregnancy. She considers having an abortion but changes her mind while in the clinic waiting room. Then, she and a friend look for adoptive parents by searching through advertisements in local publications. Juno eventually tells her parents about her situation and, with their support, she is guided through her pregnancy. Juno confers with Paulie, who affirms that he will support any choice that Juno makes. She chooses to place their child with an adoptive family.






The Adoption Connection

Juno’s thought process leading into adoption, and then from there through adoption, is highlighted throughout the film. She initially considers having “this baby and giving it to someone who needs it.” She is attracted by some applicants, and repelled by others – who she perceives as desperate.

Strong Points

This film is one of my favorite adoption-related films. It introduces so many real-life crises, and does so in a way that is both optimistic and realistic. Juno has to decide whether to carry her pregnancy to term, then she has to decide when and how to tell people, she tells her parents and receives a mixed but supportive reaction from them. She has mixed and inconsistent feelings towards the adoptive parents that she chooses and eventually learns that they have great challenges in their lives.  The adoptive mother is portrayed as anxious but hopeful, and yet, everyone works together.

When Juno does give birth, her mother is with her and assures her, “Someday you’ll be back here on your terms.”

There is beauty in how well this film captures the thoughts and emotions of so many people touched by this one adoption.

Even though Juno has decided to have a closed adoption, the adoptive mother keeps a memento of Juno on display in the baby’s room.


Challenges

Juno chooses not to see her baby. This could be challenging for some viewers.

Juno receives negative feedback from some in her community, but is supported by those closest to her.

There is so much “real life” in this film. Juno’s father confides to his wife, “I’m not ready to be a pop-pop.” She responds, “You’re not going to be a pop-pop. Someone else is going to get a blessing from Jesus out of this garbage dump [of a situation.]”  When Vanessa, the prospective adoptive mother, meets Juno, she asks “how far along are you?” Juno responds that she is a Junior. Vanessa awkwardly clarifies that she was asking about the pregnancy – this reminds me that sometimes, pregnant women considering adoption feel that they are viewed not as individuals, but only as sources of babies. Vanessa later pressures Juno to say “how sure you are? 80%? 90%?” this is uncomfortable even for me.  Juno also makes what might be considered an insensitive faux pas; when Vanessa says “I think pregnancy is beautiful,” Juno responds, “You’re lucky it’s not you.” This hurts Vanessa, who has struggled with infertility. I could see how any of these scenes could stir painful emotions for viewers – whether adoptees, adoptive parents, or birth parents. But I also appreciate how honest the film is in exploring these aspects of adoption, and I value that Juno and Vanessa are able to work together in spite of being imperfect people.

Weak Points

One thing I don’t like about the film – when Juno expresses that she does not want to have any involvement with the baby after the adoption, the response of the adoptive family appears to be one of relief, and the lawyer quickly cements the fact that “we all agree – a traditional closed adoption.”   Also, there’s a particularly creepy scene where the prospective adoptive father hits on Juno. **Spoiler Alert – Juno turns him down, but he still leaves Vanessa**



Recommendation

Juno is a beautifully insightful and also quite entertaining film, and belongs on a very short list of the best adoption films out there. The subject matter would probably make the film best for teens and adults. This is a good pick for adoptive parents and prospective adoptive parents for the insight it gives into the experience of being a pregnant teen. It’s a good movie for folks, touched by adoption, who want to understand the perspectives and experiences of others who have been touched by adoption.

Questions

Why did Juno pick Mark and Vanessa?

Why did Juno stick with Vanessa?

How do you feel about how Juno’s family responded to her?

Why did Juno choose a closed adoption?   Do you imagine that it will be opened up in the future?





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Tuesday, February 4, 2014

Classic Guest Post: "Go Matilda Go" by Amanda H.L. Transue-Woolston

Last Tuesday, I shared about Amanda H.L. Transue-Woolston's new book, Lost Daughters: Writing Adoption from a Place of Empowerment and Peace. You can pick it up from Amazon here: Lost Daughters book.

By the way, I just added a way for you to subscribe for free to Adoption at the Movies by email. A new review comes out every Tuesday - make sure to catch them all! Sign up today on the top-left corner of the page!   And if you're new here, check out all of our adoption movie reviews!



Amanda reviewed Matilda for Adoption at the Movies a few months ago. Here's what she said



“Go, Matilda, go!” I whispered excitedly to myself.  I watched the screen as the little girl pointed to various objects in her living room, bringing them to life.  Matilda danced in a circle as household items flew playfully around her in her telekinetic grasp.  Music from the family stereo played a happy tune as Matilda set a deck of cards swirling around her like confetti caught in a whirlwind.  Matilda beamed happily, one of her first expressions of pure joy in the movie.  She had a superpower, and nothing was going to stop her now.

Matilda Wormwood (played by Mara Wilson) first appears in the movie Matilda (1996) at her birth.  The movie is based off of a book with the same name.  Her parents immediately express their disappointment over her gender; a disappointment that translates into continuous belittling and neglecting of Matilda throughout the movie.  Matilda’s other brother proves to be no greater an ally, often berating the little brown-eyed girl himself.  Matilda’s father (played by Danny DeVito) is a dishonest used car salesperson.  Her mother (played by Rhea Perlman) stays at home by day and attempts to supplement the family income by night by playing bingo.   Matilda finds more trouble when she starts school as her new friends and their kind teacher are confronted daily by the antics of the mean principal, Ms. Trunchbull.  Matilda soon develops a superpower; she can move objects with her mind.  She uses her telekinesis to help solve problems and protect her friends.  At the end of the movie, her parents leave her in the hands of her teacher, Ms. Honey, who adopts her upon Matilda’s request.

  

I cheered for Matilda when I watched this movie because I identified in some way with her experience.  



As I am an author and speaker about adoption, it might surprise some to learn that her adoption was not what drew me to Matilda’s character.  Unlike Matilda, I had parents who were interested and involved in my life.  But what her parents—and her principal—represented to me were bullies.  They were people who were unable to see the inherent worth of a bright and kind child.  I watched this movie when I was twelve years old and was being teased at school that year.  Like Matilda heard from of the adults in her life, I never looked right, dressed right, or said anything right according to some of my peers.

What an empowered little girl Matilda became.  She spoke in full sentences before she was two, she taught herself to read, and she read every book at the library.  She could quantify large mathematical equations in her head.  She also could move objects around her with her mind, just by squinting at them.  She used her superpower to protect other children from the mean school principal, to rescue her teacher’s childhood doll from an angry relative’s house, and just to have fun.

Matilda did not become adopted until the end of the movie when she asked her teacher, Ms. Honey, to adopt her.  When agreeing to the adoption, we see Matilda’s parents’ first expression of fondness towards their daughter.  They verbalize that she is different and they’ve never understood her.  They quickly make a getaway in their car—running from police after one of her father’s many bad car deals had gone wrong.

Adoption & Child Welfare
As an adoptee who was surrendered and adopted as an infant, I did not relate with Matilda’s choice as an older child to be adopted.  I wished Matilda’s family could be fixed.  I also wanted her to be happy and in an environment where she was loved.   At twelve, I understood that this was not a representation of actual original families who surrendered a child to adoption.  Matilda’s parents’ were a purposely exaggerated caricature of average parents and their problems.
 
This doesn’t mean that this can’t be a talking point for children about adoption and to implore what children watching the movie already know about adoption.  Children may want to discuss what parts of Matilda’s experience reflects the experiences of children living adoption, and what parts would not.  Most children, in all types of adoption, are loved and wanted by their original parents.  Children are not surrendered to adoption for “being different” or through any fault of their own.  Most, like Matilda, are also loved by their adoptive parents.  Ultimately, the narrative of each adopted child should be respected and honored.

Stereotypes
Matilda’s parents were the villains of the story as was her principal—who was also Ms. Honey’s aunt.  This is repetitious of common societal stereotypes where the original parents of adopted children, as well as step-parents, are painted in a poor light.  Persistently portraying certain people as villains is inaccurate and unfair.  My four-and-a-half year old recently asked “is he just bad?” after observing a chronically villainous character on one of his favorite preschool shows.  I explained to him as best I could explain to a four year old that people face challenges that influence how they behave.  Rather than labeling someone as “bad,” as perhaps his show had encouraged him to do, we talked about the worth that every person has.

Diversity
Speaking of repetition, once again, this is a movie in which all of the main characters, including the heroes, are white.  Except for brief appearances here and there, there are no positive portrayals of people of color.  This movie excludes diversity in many ways.  I believe it is important to discuss diversity and inclusiveness with children and to spend time listening to their feedback on being excluded and unrepresented in the television and media outlets geared towards their age group.
 
Gender
One of the most important aspects of this movie to me as a 12 year old girl was the positive portrayals of strong women.  Matilda and Ms. Honey are the heroines of the movie.  They are strong, incredibly intelligent, resilient individuals.  They brainstormed ways to effectively solve their own problems.  They considered their own needs as well as the needs of others.  A good discussion point with children viewing the movie is to implore their perceptions of Matilda.  In what ways is Matilda strong?  Is Matilda someone they might like to be friends with?  Why or why not?

I adored this film when I watched it as a young girl.  Matilda was a survivor and a hero.

Since the context of this post is movies that intersect with the topic of adoption, I will close with one final thought about Matilda the adoptee.  She has superpowers, like many adopted characters in media from movies to comic books to novels do.  So often, adoption storylines are used to answer for the origins of an adopted character’s power.  The mystery of their origins, the lack of disclosure of their biological parentage and pre-adoption life, is used to explain an adopted character’s behavior, their vices, and their superhuman abilities.  This gets old for many of us who did have origins, by nature of our adoptions, which were a mystery to us.  We constructed the meaning of adoption throughout our life’s story--a tough enough task without having to figure out a superpower on top of it.  Matilda is a different portrayal of an adoptee.  The roots of her superpower are not within shrouded origins or mysterious DNA.  She has a superpower because she is a survivor, because she is strong, and because she is smart.  This is one reason why I adore Matilda.


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Want to read more guest reviews? Check out:

Lori Holden on The Blind Side 

Social Jerk on Precious 

Shannon LC Cate on Rosie O'Donnell's "A Family is A Family is A Family" 

Come back next Tuesday for a fresh Adoption Movie Guide!



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